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Hepburn Uilleann Pipe Practice Set Uilleann Pipes Uilleann Whistle Chanter

How to Get Started on Learning to Play Uilleann Pipes
    The Uilleann Pipe Practice Chanter like the Uilleann Whistle Chanter made by Song of the Sea  follows a tradition that has been around a long time for the Great Highland Bagpipe.
Here are some things to ponder:
    -How much do you want to spend to see if this Uilleann Pipe is something you want to invest your time and money in?  Remember that a tin whistle is easier to play, has no great finger stretch, costs between $6-$12 and for the same amount of time invested you will be able to play circles around any other wind instrument on Earth.
But a whistle will never sound like an Uilleann Pipe (because it does not have a reed).
    -Do you enjoy small hurdles in life as you start a new project or are you the type of person that goes to the hang-glider dealer and immediately looks for the nearest, half mile vertical drop?
    -When you jump over a hurdle for the first time in your life,( I used to run high hurdles, I thought my track coach was totally nuts suggesting that I try them), do you go out in street clothes, don't warm up and don't take a practice run up to the hurdle as you gleefully spring into the air?  What are your chances of ripping your pants, twisting your ankle on leather heeled
shoes, ripping muscles in the center of you that you didn't knew even existed and then have your nose be the final thing that slows you down.?
        These are weighty things to consider.  You use a practice chanter to get you rolling from a dead stop. That's right, the chanter is not like most modern band instruments that are heavily engineered so there is hardly any finger stretch and you use the first finger pad of the fingers that you use.  Pipe chanters are different, their holes are where they are really supposed to be with no extra, cams, rods or connectors to secondary exhaust vents.  What that means is that you have to put your fingers in a position that you would not normally consider normal.  "Pipe fingering" for many people seems like some sort of torture, the first time they try it.  Enough people squeal when we have them try Highland Pipe fingering, you should see how big their eyes get when we have them try Uilleann Pipe fingering.
        It is true that you don't normally use the second segment of your finger to pick up blueberries or strawberries but given a few days of gentle handling, (let go of that death grip), you find the logic in not having your fingers splayed out in pretty arcs coming down to the chanter held by your "fingertips".  You want to have your fingers lay as flat as possible so there will be no strain in them. Remember an Uilleann chanter has a wider spread for you fingers then a Highland chanter and you need to use the second segment of your fingers, left hand index and middle, right hand index, middle and ring finger along with the first finger segments of your left hand thumb and ring fingers and right hand little finger, to cover all the holes you need to cover.
        Just how difficult is this? You have a chanter with wide fingering, a bag under the left arm and a bellows under the right arm.
If you wore a baseball mitt like a hat and alternated tossing a softball and a football up 6 inches, directly above the left or right hand that held them, and not dropping anything, that might be close to feeling comfortable with holding a set of Uilleann Pipes.
It's do-able, but you have to both concentrate and relax.
        You can figure this all out with a real chanter from a practice, half or full set in your hand but wouldn't it be prudent to see if this fingering becomes comfortable for you and you can happily play six different tunes, on a practice chanter of some type.  That's why I came up with the Uilleann Whistle Chanter, which is just a chanter or can also have a drone.
When you get your set of pipes you can either keep, sell or pass on your practice pipe to the next curious possible piper.
       I think it would be a lot more fun if atleast one person from every street on this earth played Uilleann Pipes and whether you start with a practice instrument or a complete instrument the number one thing is to get started, turn the TV off for one hour, put a smile on your face, strap on your pipes and go for it.
Edward Damm

Presenting:
Song of the Sea's
Uilleann Whistle Chanter

 Top of Page


Whistle Chanter, with slide drone, case, accessories
(case color and shape may vary, usually green or black)

Whistle Chanter UWC 1  $100

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Sound Sample of the scale plus bottom ghost note
Sound Sample Tune
This package contains whistle chanter, case, manual and moisture swab.
It plays the melody, puts your fingers in the correct position for a concert D uilleann pipe chanter.
The chanter is tunable sharp or flat. It plays in the keys of A and D.

Slide Drone Attachment UWC DRONE 1 $15

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Sound Sample tuned to a 4th    Sound Sample tuned to a 5th
Sound Sample tuned in unison
 This is pictured below (attached to the whistle chanter). It is made of a slide whistle that has a clear body,
so you can see how far the slide mechanism has moved inside.
It helps you learn to practice tuning drones by matching notes as on a set of uilleann pipes in the future.
It can be tuned to a clear 4th or 5th interval, or in unison by moving the slide.
When tuned to a 4th interval, the drone stays in the lower octave until you reach the 3rd octave A.
When tuned to a 5th interval, the drone stays in the lower octave on all notes.
When you tune it in unison, the drone stays in the lower octave until you play the 5th note of the 2nd octave
(then it jumps up to that octave).
 

Mechanics of the Uilleann Whistle Chanter

The Uilleann Whistle Chanter  (UWC), is a simple system to learn how to do the scale fingerings for the Uilleann Pipes. The style of fingering used with this chanter is called the Closed or Staccato style. We start with the Chanter itself which has a tunable head joint and a fingering tube.

     The hole positions on the fingering tube are designed to stretch your fingers into the positions they will need to be in when you play an Uilleann Pipe chanter.
This UWC,  in concert A, will give you the same finger stretch as most concert D Uilleann Pipe chanters.  The spacing between your right and left hands is slightly closer together on the UWC  than on the Uilleann Pipe.
    The way fingers touch the chanter is very important.  Do not use your fingertips (the very end of your fingers).
A common problem that people new to whistles or pipes have, is that they use their fingertips to try to cover the holes. Fingertips are just too narrow to do this properly. It will be difficult to reach the holes, and your hand will become cramped in about 7 minutes.
You want your fingers to lay flat across the chanter, instead of arching your hand when using your fingertips.  This flat finger method will allow your fingers to more easily stretch across the holes.
    The finger pad positions are different on the chanter than on the pennywhistle.  See the diagram of the seated Uilleann Whistle Chanter player. Note the position of the fingers on the drawing of the person holding the UWC.  Look at the lines across the knuckles showing which finger segment is on the chanter.
  The system for this chanter consists of the chanter itself and various tubing and connectors.  The flexible tubing also allows you to sit in an upright position and to lift the chanter off your leg for the lowest note without jamming the chanter back into your mouth.

Fingering for the Closed style scale on the Uilleann Whistle Chanter

Copyright 1998-2008,  Edward A. Damm

The top row has the names of the notes.
The second row from the top is the back thumb hole.
The third row from the bottom is for whether the chanter is off or on your leg.
When the chanter is on your leg the bottom of it is closed.
Second row from the bottom shows the notes in the key of D.
The bottom row shows the notes in the key of G.


Uilleann Whistle Chanter Scales

This basic scale is the Closed or Staccato scale, which one should strive to master. For many people it comprises over 90 percent of what you will normally play on the Uilleann Pipes. The Open and Legato styles, for the beginner, are played less frequently and can be practiced once you get onto the Uilleann Pipes. The Uilleann Whistle Chanter plays in the key of A and in the key of D.
We use pipe fingering, which is similar for both Uilleann Pipes and the Great Highland Pipes.
(see diagram of person holding the UWC)
The left upper back thumb uses the first, outermost pad or segment.
The index and middle fingers of the left hand use the second or middle pad.
The left hand ring finger uses the first or outermost pad.
The index, middle and ring fingers of right hand use the second or middle pad.
The little finger on the right hand uses the first or outermost pad.
The right lower back thumb rests on top of the thumb rest provided for it.
  If you have short fingers, you can slightly rotate your fingers downwind or down the chanter to help you reach and cover the holes. For lefties, it doesn't matter whether you choose to put your left hand on the top or your right hand The problem is in trying to find left handed sets of Uilleann Pipes.
They are made, but you have a much longer search but you have a much longer search to find one.
    Uilleann Pipe Chanters will vary on how they produce some of their notes; many book tutors don’t describe
the top end of the second octave. The pattern above is what works on the Uilleann Whistle Chanter.


The Scales
 The UWC is an instrument for learning the fingerings for a D Uilleann Pipe Chanter, which plays in D and G.
The UWC is based on an A whistle body, so it actually is playing in A and D.
To make the transfer to playing an  Uilleann Pipe Chanter easier in the future, it is most helpful to learn the scales and fingerings now by treating the notes on the UWC as being in D and G. If you are playing with other musicians on the UWC, then remember that you are really playing in A or D.
A major scale is made up of whole steps and half steps. Remember that there are no half steps between B and C and E and F.
An example is the range between C and D:  C - half step- C# or Db -half step- D.
So between C and D there are two half steps or one whole step.

The Key of D:  notes: D, E, F#, G, A, B, C#', D'
                                         intervals:  D -whole- E -whole- F# -half- G -whole- A -whole- B -whole- C#' -half- D'.
The Key of G:  notes: G, A, B, C#', D', E', F#', G'
                                         intervals:   G -whole- A-whole- B -half- C#' -whole- D' -whole- E' -whole- F#' -half- G’.

   On a (regular) Concert D set of Uilleann Pipes, the key you are playing  would be D, and the other key played
on the same instrument would be G (which is 2½ musical steps higher = a 4th interval).  This makes it a  D/G
instrument.
  Remember, the UWC will actually be playing:
The Key of A:        notes:  A, B, C#, D, E, F#, G#, A
The Key of D:        notes:  D, E, F#, G, A, B, C#', D'
The fingering is the same, but you are actually producing a different key, similar to playing other instruments
such as tinwhistles (without transposing). 


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